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I'm a young fool and I make games via RM. I enjoy game mechanics and theories, especially new graphical experiments. I'm a master chip splicer and I draw my own resources as well. Teaching myself how to digitally paint via PS, after pixeling for several years.
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The Rare/Obscure RM Games Request Topic
SHOW ME YOUR SCREENSHOTS - Fall Edition
Language in Games
Swearing in games is silly and unprofessional. I mean games is the only place where I feel this way. In rm it just looks immature, especially if something is poorly written. Like idk ppl drop f bombs to have realistic dialogue or whatever but it should be more than that. They do swear in like 3d games nowadays because games are the new movies, but RM is snes, not 3d movie games.
So basically what everyone else said. But there is a solution, you can make your own swears that are unique to your game's world, which adds to the feel of the enviornment.
So basically what everyone else said. But there is a solution, you can make your own swears that are unique to your game's world, which adds to the feel of the enviornment.
SHOW ME YOUR SCREENSHOTS - Fall Edition
I don't see any traces of Konix's tree, but it's hard to tell with the present pic. Also, the cliff is a little too desaturated so it looks lighter than everything else, even though its colors are actually dark.
Azn, are you trying to imitate that screen meaning it isn't yours? Even if it is yours, you need to chill with the photo shop crazy lights overlays/theory. Atmosphere is important, but light filters are a crutch. If you look at some crazy atmos from old school snes games, you can see how powerful an atmos can be without them. For example, CT Lab 32, 1 fog overlay was all they needed, and that was pixeled out, it wasn't a filter.
This isn't heisen hill man. Yes stuff like music helps but I feel like you're relying too heavily on the novelty of light in RPGs.
Azn, are you trying to imitate that screen meaning it isn't yours? Even if it is yours, you need to chill with the photo shop crazy lights overlays/theory. Atmosphere is important, but light filters are a crutch. If you look at some crazy atmos from old school snes games, you can see how powerful an atmos can be without them. For example, CT Lab 32, 1 fog overlay was all they needed, and that was pixeled out, it wasn't a filter.
This isn't heisen hill man. Yes stuff like music helps but I feel like you're relying too heavily on the novelty of light in RPGs.
Who Are You Mean To?
I'm not mean to my own characters, I'm mean to the player. Taunting him with unreachable chests and unexpected circumstances and interesting puzzles, etc.
Favourite Food
RPG Maker DS
Yeah this is like making an all RTP VX game ironically, except on your DS where no one can play it. Basically you just have less control, less graphical options, and you're restricted to everything they give you. I'd love to be able to save rm games to R4 or something though, and have it able to work.
Guardia Replica Screen..PNG
I remember this being Feroz's map back in our early CW/EG mapping contests. Did you pull a fast one or am I misremembering?
Monstrous Wars Review
Thanks for the review man. I will now attempt to make excuses for all the negative points! Battles, I hate battles. I want to move on with the game and not deal with it, at least when I'm playing. I tried to put in some cool skills, but how much versatility can you have with attacking, skills, and healing? Not much, but I'll think of ways to improve on that.
As for who Toshi is as a character. He has some monologue scenes (the hotel) where he explains some of his motives. What really drives him so far, is his curiosity. The gods are here, and time is limited, so it makes him want to do something about it, yet he feels powerless. I suppose what's the point if I have to tell you these things instead of showing it in game, but it should be clear that Toshi lives in a mad world that he has to make sense of.
Inconsistency...I believe that different styles can exist in a game, if properly transitioned well. One of the major problems for me was transitioning from the first town into the big city, but I am making some final changes to make it seem like more of the same world. At the same time, it is a dichotomy, things aren't what they seem sort of idea. Games always start off happy right? Then the big event puts them in their place.
Is it trippy? Absolutely, especially more so in the virtual reality dream world, where I get to go nuts, having been holding myself back for the other parts of the game. I like to play with the player.
But yeah thanks for this, I will definitely touch up some of the issues you brought up.
As for who Toshi is as a character. He has some monologue scenes (the hotel) where he explains some of his motives. What really drives him so far, is his curiosity. The gods are here, and time is limited, so it makes him want to do something about it, yet he feels powerless. I suppose what's the point if I have to tell you these things instead of showing it in game, but it should be clear that Toshi lives in a mad world that he has to make sense of.
Inconsistency...I believe that different styles can exist in a game, if properly transitioned well. One of the major problems for me was transitioning from the first town into the big city, but I am making some final changes to make it seem like more of the same world. At the same time, it is a dichotomy, things aren't what they seem sort of idea. Games always start off happy right? Then the big event puts them in their place.
Is it trippy? Absolutely, especially more so in the virtual reality dream world, where I get to go nuts, having been holding myself back for the other parts of the game. I like to play with the player.
But yeah thanks for this, I will definitely touch up some of the issues you brought up.
Games - Tester
Games - Other
